Untitled, 2016, Oil, Flashe, screen printing ink, charcoal, graphite and wallpaper on dibond, 108 x 84 inches (detail)


Malerie Malgre and Maria Muhl, “Painting 2.0,” Texte zur Kunst, March 2016

Charles Desmarais, “Laura Owens at CCA Wattis Institute a pulse-quickening experience,” The San Francisco Chronicle, May 20 2016

Sarah Thibault, “Laura Owens, Ten Paintings: More Than Meets The Eye,” SFAQ, May 25 2016

Monica Westin, “Critic’s Pick: Laura Owens,” artforum.com, June 10 2016

Michael Slenske, “Boom in the Bay,” Cultured, Summer 2016

Keith J. Varadi, “Laura Owens at the Wattis Institute (L.A. in S.F.),” Contemporary Art Review LA #4, Summer 2016

Anthony Huberman, “Laura Owens: In Conversation with Anthony Huberman,” LXAQ, September 2016

Claudia La Rocco, “Laura Owens,” Bomb, Fall 2016

Mark Godfrey, “Laura Owens,” Garage, Fall/Winter 2016

Wendy Vogel, “Laura Owens @ CCA WAttis,” Modern Painters, November 2016

Jack Bankowsky, “Top Ten,” Artforum, December 2016

Charles Desmarais, “Top ten visual arts events of 2016,” San Francisco Chronicle, December 23 2016

Owens, Laura, Whitney Museum of American Art, New York 2017

Travis Diehl, “The Drop Shadow of Doubt,” X-TRA, Winter 2017

“Laura Owens at Whitney Museum of American Art, New York,” Blouinartinfo.com, August 28 2017

Peter Schjeldahl, “The Radical Paintings of Laura Owens,” The New Yorker, October 30 2017

Scott Indrisek, “In Laura Owens’s New Whitney Show, Painting Is Serious Fun,” Artsy.net, November 7 2017

“Laura Owens Brings Color, Pattern and Wildlife To The Whitney,” Untitled Magazine, November 14 2017

Roberta Smith, “The Comedic Beauty of Laura Owens,” The New York Times, November 16 2017

Ariella Budick. “Unabashed fun with Laura Owens at the Whitney,” The Financial Times, November 24 2017

Corrado Serra, “Laura Owens at Whitney Museum of American Art, through February 4, 2018,” Arts Summary, December 3 2017

Rob Goyanes, “Laura Owens at the Whitney,” alphasixty, December 12 2017

Jennifer Krasinski, “The Year in Art Was All in the Details,” The Village Voice, December 14 2017

John Yau, “Laura Owens and the Death of the Auteur,” hyperallergic, December 16 2017

Mario Naves, “Exhibition Note: On ‘Laura Owens’ at the Whitney Museum of American Art,” The New Criterion, January 2018

Nancy Princenthal, “Moving Targets,” Art in America, January 2018

Phyllis Tuchman, “The Sky Is the Limit: Laura Owens Is in Top Form in Superb Whitney Museum Retrospective,” Artnews, January 4 2018

Jason Stopa, “Painting as Total Environment,” Hyperallergic, January 5 2018

Pac Pobric, “Time to look: Laura Owens’s self-reflective paintings demand considered attention,” The Art Newspaper, January 12 2018

Andrew Durbin, “Laura Owens,” Frieze.com, January 22 2018

Felix Bernstein, “Laura Owens At The Whitney,” Spike Art Quarterly, Winter 2018

Michael Marotta, “The ICA’s ‘Art in the Age of the Internet, 1989 to Today’ is a provocative IRL spectacle,” Vanyaland, February 7 2018

Avery Singer, “UNTITLED,” Texte Zur Kunst, March 2018

Jennifer Smart, “Laura Owens’ Exhibit at Dallas Museum of Art Checks All the Boxes,” Dallas Observer, March 27 2018

Travis Diehl, “On Laura Owens on Laura Owens,” Carla, Spring 2018

“Dallas Museum of Art Presents Nationally Touring Exhibition ‘Laura Owens,’ a Mid-career Survey of the American Artist,” Artfixdaily.com, March 22 2018

Sarah K. Rich, “Laura Owens,” Artforum, April 2018

Amy Sillman, “Laura Owens,” Artforum, April 2018

Ryan Steadman, “The Joy Of Painting,” Artdesk, Spring 2018

Catherine D. Anspon, “Looking Back at the Dallas Art Fair—the First-Timers Tell All,” Paper City, May 7 2018

Charlotte Marina Ioffe, “At the Dallas Museum of Art, Laura Owens Plays with Mediums and Minds,” D Magazine, May 30 2018

Jon Revett, “Laura Owens at the Dallas Museum of Art,” Glasstire, June 2018